"The drowned face always staring," and "the drowned face sleeps with open eyes" are lines in Rich's poem that correspond with the symbol of drowning as death in Crane's "The Open Boat." The symbol of drowning is that of respect for nature and especially for the power of the ocean over human life. Darkness is another symbol shared in common by these two works of literature. Although Rich's poem has

The image of the two farmers on either side of the wall is also powerful because even while they are together, they are separated. This physical setting sets the tone of the poem, as the wall serves as an image of safety for the neighbor, who feels it necessary to have the wall, even if for his own peace of mind. The speaker, however, sees things differently, He states,

In this scene, Stephen is experiencing a conflict because he wants to establish a schoolyard presence but he does not know exactly what to do or what to say. He struggles to find an answer - a correct answer. We read that his body "feels hot and confused" (14) simply because he cannot answer the question. In this scene, we see how he is separating himself from others. Stephen

Edgar Allen Poe's 1843 short story "The Tell-Tale Heart" is about a young man who becomes mortally obsessed with an old man's creepy eye and ultimately kills him. Thomas Hardy's 1902 poem "The Man He Killed" is about a soldier who has become used to killing people just because they are on the other side of the war. Both of these narratives lend insight into guilt related to death, told

Homecoming? The principle theme in Jean Rhys' short story, "I Used to Live Here Once," is the prevalence of racism and the accompanying sentiment of elitism that it gives those of European ancestry. This theme was fairly common in Rhys' writing, which routinely "would explore the tension between the ordered world of colonial life and the seductive world of island sensuality" (Encyclopedia of World Biography, 2004). Rhys' theme is supported

Masaccio, Fra Angelico, and Filippino Lippi The Renaissance was a dynamic time in which religion, artwork, and new styles, thoughts and concepts regarding perspective and expression intertwined and impacted one another. The effect was an explosion of new talent, new advancements in painting, and new horizons achieved. This paper will show how this was achieved by examining three works from three influential Renaissance painters -- Masaccio, Fra Angelico and Filippino Lippi. Masaccio Masaccio's